Archive | October, 2014

Friday Night Lights “Texas Whatever” Review (5×12)

11 Oct

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“Coach shows up and gives 100%. Every game, every practice. It’s more than just a game to us. Football is our life.”

Friday Night Lights has constantly tackled the ideas of what it means to be in Dillon and what it means to leave it, what it means to come home and what it means to move on. “It’s like a drug,” Tyra says as she kicks back with Julie on the hood of a car, listening to the sounds of Panthers fans celebrating the dissolution of the East Dillon Lions football program. “When you get outside of it, you see it for what it really is. But when you’re in it, it seems like there’s no other possible reality.”

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Friday Night Lights “The March” Review (5×11)

10 Oct

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The Lions are marching toward state, and this once 2-8 team is now moving right on through the competition. In an interesting stylistic choice, the playoffs are reduced to one episode, partly due to time constraints, but also due to the fact that it simply works. It doesn’t feel rushed at all, and the journey the show takes us on from that early scene in Coach’s yard to that final scene outside of the stadium is thrilling to experience.

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American Horror Story: Freak Show “Monsters Among Us” Review (4×01)

9 Oct

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American Horror Story has dealt with all of the themes currently being dealt with in Freak Show. However, for all the explorations of the repressed in society and for all the emphasis on the “freaks” of the past three seasons, this is the season that looks to tackle the issue head on, placing all of its characters within the confines of an actual “freak show” and expounding on the “us vs. them” mentality that’s ever so pervasive in these types of situations.

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Arrow “The Calm” Review (3×01)

9 Oct

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“A man cannot live by two names.”

A dilemma many superheroes must deal with is the question of how to balance a personal and a professional life, how to, in this show’s case, balance Oliver Queen and The Arrow. Throughout the season three premiere, we see that dilemma being applied not only to Oliver, but also to those who’ve come into contact with him, to those who’ve structured much of their lives around him in one form or another.

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Person of Interest “Wingman” Review (4×03)

8 Oct

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“You can’t run away from your past.”

The dating scene is oftentimes a way to get a fresh start, to move on from whatever bad history you may have or whatever problems you’ve encountered in the past. However, “Wingman” suggests that no matter what you do and no matter who you do it with, the past will always, to some extent, catch up with you. It’s how you handle the situation that determines who you will be moving forward.

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Boardwalk Empire “King of Norway” Review (5×05)

6 Oct

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“Then who will be called to account?”

When many of your characters have murdered and lied and cheated, accountability oftentimes becomes a major theme as a series draws to a close. How will these people face up to what they have done? Are they remorseful? Will they face the consequences? How will they face the consequences? Throughout “King of Norway”, past, present, and future are intertwined as people must decide who they want to be and, in some cases, who they will have to be in order to move on in life.

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The Strain “The Master” Review (1×13)

6 Oct

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“Nothing is written that cannot be changed. It is a small world, after all. We made it that way.”

The most frustrating thing about The Strain is that it’s rarely truly great and rarely truly terrible. It’s just fine, and although there’s quite a bit of potential here, questionable writing and flat acting from many of the cast members drags down what could be a very entertaining show (and what was one throughout that whole gas station episode). The season one finale, “The Master”, is simply fine. It’s fun in places, mind-numbingly stupid in others, and alternating between boring and intriguing during the rest.

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Homeland “The Drone Queen”/ “Trylon and Perisphere” Review (4×01/4×02)

5 Oct

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“You people are monsters.”

If part one illustrates a Carrie Mathison who is intelligent, capable, and determined, part two illustrates a Carrie Mathison who is adrift, out of place, and drowning. Her home is in the field, outside of the United States and far away from her baby–and therefore her past–and she’ll do anything to stay there because without the work, she has no idea who she is.

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Gone Girl Review

5 Oct

Gone-Girl-2014-film-poster “What have we done to each other?”

This is the question Nick Dunne poses to the world in the first minute of Gone Girl, and it hangs over every single plot development and over every ounce of characterization in the remainder of the David Fincher-Gillian Flynn film. It’s a mesmerizing ride, a two hour-plus piece of glorious filmmaking and pure entertainment that immerses you in an atmosphere that never lets go of its frenetic pace, that never ceases to be compelling.

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