Nothing in this film is particularly remarkable or memorable in any way. It isn’t really meant to be. It’s a breezy affair from an experienced filmmaker, a fun heist film with relatively minimal conflict and broadly sketched stakes. That’s not to say the stakes aren’t there; they just don’t feel all too prominent. Soderbergh doesn’t quite give us enough to really flesh out his characters, but he manages to imbue them with just enough humanity to help them transcend caricature status. This results in some unexpectedly poignant scenes, mostly involving the relationship between Tatum’s character and his daughter. It additionally absolutely helps that the cast is great all around, with the standouts being Daniel Craig’s zany safecracker and Riley Keough’s stylishly steely hairdresser (seriously, when has this woman not been great? She is on a rise to stardom and I am lucky to witness it). This is also quite a funny film, and Soderbergh does a nice job with camera positioning and misdirection in order to mine visual humor from his scenes.
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