Archive | September, 2014

Battlestar Galactica “Lay Down Your Burdens, Parts 1 and 2” Review (2×19/2×20)

29 Sep

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“People vote their hopes and not their fears.”

The opening sequence of Part 1 is masterfully executed, with each scene flowing into the next and building a sense of dread as we see characters in dark places. Sharon, closed off and distraught over the “death” of her daughter. Tyrol, beating Cally after he has a nightmare of his suicide. Baltar, behind in the polls and taking Hera’s death as his own daughter’s death. As we see throughout the two episodes, there’s a bigger picture to all this dread: with a presidential election coming up and with morale so low, if hope should present itself in the form of a new planet, then people will even go so far as to elect Gaius freaking Baltar as President.

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Masters of Sex “The Revolution Will Not Be Televised” Review (2×12)

29 Sep

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“The key is, it takes both of you to make a leap of faith, of trust, working together.”

A high level of trust is needed to be intimate with someone, to bare all like so many people do in this finale. The highest level of trust–the deepest bond–that we see is between our two central figures, Virginia Johnson and Bill Masters, and the interesting thing about this relationship is that the more they trust each other, the harder they fall. By putting faith in each other, by trusting each other, by working together, they wind up losing the other people in their lives.

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Boardwalk Empire “Cuanto” Review (5×04)

28 Sep

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That’s more like it. After three weeks of solid, but not quite great, episodes, Boardwalk delivers a thoroughly entertaining hour of television that makes good use of the indelible history seeping up through every orifice of the show’s relationships. Some things never change, indeed, and even though power shifts and people die, the cycle of the environment will always pull you back in.

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Brooklyn Nine-Nine “Undercover” Review (2×01)

28 Sep

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Brooklyn Nine-Nine is such a well-realized show, one that effectively set up its various character dynamics in season one and continues to develop them with ease and laughter. As we head into season 2, we know where everyone’s at, and all the character beats that are hit are completely in line with what we know about the characters. The comedy derives not from cheap gags, but rather from the little quirks we’re familiar with or from the relationships we’ve seen.

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Saturday Night Live “Chris Pratt/Ariana Grande” Live Blog and Review (40×01)

27 Sep

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We’re back! As always, check periodically for updates.

STATE OF THE UNION: This is a fine start to the season–predictable, of course–especially considering we’ve had a plethora of bland political cold opens before this. Kenan Thompson’s descriptions of the school bus (“it’s yellow”) are definitely the best parts of the sketch, and Jay Pharaoh’s physical comedy makes for some laughs as well. I was expecting Beck Bennett=Roger Goodell, though. GRADE: B-

RIP, Don Pardo.

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Transparent “Pilot” Review (1×01)

26 Sep

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“I don’t know how it is I raised three people who cannot see beyond themselves.”

The title of the series, Transparent, is a perfect encapsulation of what this show is about. On the one hand, you have the obvious play on words with “trans” and “parent” placed side by side, but on the other, you also have the actual meaning of the word transparent: having thoughts, feelings, or motives easily perceived by others. The show is about perception, about how we see who we see, about how societal and personal values may clash, about whether or not we can still love while looking at someone through a different lens.

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Battlestar Galactica “The Captain’s Hand”/ “Downloaded” Review (2×17/2×18)

26 Sep

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ARC 6, Part 1: “The Captain’s Hand” and “Downloaded”

“The Captain’s Hand”–2×17

I’d hate to be commander of the Pegasus, considering I’d probably die within a few days of taking command. In this episode, Commander Garner becomes the third to perish in the span of five episodes, and he goes the “sacrificing yourself for the good of everyone else” route by returning to the engine room he knows so well.

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Scandal “Randy, Red, Superfreak and Julia” Review (4×01)

25 Sep

136514_0592_preOlivia Pope is the machine that makes everything run, but in reality, many of the problems that pop up around this environment are the result of her actions; she’s a fixer, but as much as she’s the glue that holds everything together, she’s also what will rip it apart. Take “Randy, Red, Superfreak and Julia”, for example, which brings with it a new status quo–Abby as press secretary for Fitz, Huck as Randy the tech guy, Jake and Olivia hanging out on a beach–that is immediately shaken up once again when Olivia returns to D.C.

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Parenthood “Vegas” Review (6×01)

25 Sep

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Final seasons simultaneously bring closure and look toward the future, and that’s exactly what we see throughout “Vegas”, the final premiere of this wonderful little show. The episode is largely framed around Zeek, who collapses while he’s in Vegas for his birthday, and we’re reminded of the mortality that is inherent in life, of the fact that the idea of parenthood is ever evolving through the generations. Simply put, people die. Parents die. We saw Kristina battle cancer in season four–with a near perfect performance by Monica Potter–but here, we’re seeing someone come close to the end by natural means.

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The Bridge “Quetzalcoatl” Review (2×12)

24 Sep

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“No man can run from his past.”

There’s a sad irony inherent in Linder’s ultimate fate, in the fact that he winds up being shot in the chest by the very man he sets out to kill. In hindsight, we realize that Linder’s the one who can’t run from his past, who can’t break free of the world he lives in, and he’s essentially running toward his past when he breaks into a literal run in that alley. It’s a bit premature to say that he’s a hundred percent dead, but it certainly seems like the writers have reached their ending point with his storyline.

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