“This is all I ever wanted for you, Will. For both of us.”
For three seasons and thirty nine episodes, Will Graham and Hannibal Lecter have crafted an incredibly twisted, violent, and beautiful love story. They’ve followed a more unique version of the Base System, however, with making out/feeling each other up/having hot sex being replaced with fun actions such as cannibalism, bloody hugging, and brutal murders. This is the only show on television where someone getting stabbed can potentially make you go “Oh, that’s adorable!”, and I love Bryan Fuller and co. all the more for it. In “The Wrath of the Lamb”, he writes the show out in style, both giving us closure to the central relationship and leaving us with a sense of ambiguity. It’s a fittingly poetic masterpiece of a series finale, and I’m glad I got to experience it.
EPISODE 16: “Deadlock”
I’m kind of disappointed there isn’t more mutiny fallout in recent episodes. I see what this one is trying to accomplish with its love triangle, but the hour is so full of melodrama and forced motivations that the message gets lost in the shuffle. Although the actors involved elevate a weak script, the complex questions at the center of the show are reduced to bullet points and Ellen Tigh regresses to her usual insufferable self. Of course, that’s the point the episode wants to make about change and identity, but coming after a character shift seen in “No Exit”, it’s a very disappointing move by the writers. However, I do like the way Liam’s death can be seen as Six’s action in the miniseries coming full circle.
“People just want a home, right? It’s the same for everybody.”
As Wasicsko makes clear during part 3, politics is about popularity. You’re trying to get as many people to like you as possible, but you’re also playing a game that’s every man for himself, that’s “personal” when all is said and done. “For the first time in my life, I feel like I am on the right side of something,” he tells Nay as they stand in front of a house he wants to buy. “And I am alone.” He goes a Nixon-esque route and tries to appeal to a “silent majority”, but it’s the “loud minority”–evidently the majority in this election–that ends up pushing him out of office in the end. And guess what? Progress still moves at a glacially slow pace. For all of Spallone’s talk, his inability to back up that talk is causing unrest among the Yonkers residents. This is a city whose politicians and inhabitants are both driven by fear, and that fear is clouding their desires to change or compromise.
“If you play, you pay.”
In the third season premiere, the main question the show revolved around was “Observe or participate?” It was a question posed by Hannibal to Bedelia–and by extension, to the audience itself–and it returns in full force in “666”. This time, it’s Bedelia bringing it up with Will Graham after Dr. Chilton is set ablaze, and she says the following to the lamb sitting across from her: “You may as well have struck the match. That’s participation. Hannibal Lecter does have agency in the world. He has you.” The point here is that these characters don’t necessarily have to wield a weapon in order to facilitate a kill. After all, just look at Hannibal, someone who has essentially been calling the shots from inside a glass box these past several episodes. He’s been happily pitting Will and the Red Dragon against each other while presumably thinking happy thoughts about Will’s beautiful face, and his design is now unfolding before his very eyes.