From a production standpoint, The Handmaiden is easily one of the best films of the year. The costumes, set design, and lighting are all immaculate, and an incredible amount of detail reveals itself as we plunge deep into Park Chan-Wook’s mesmerizing world. The film distinguishes among its influences–Victorian, Japanese, Korean–but it also allows them to slide around each other like snakes, lines crossed and blurred with dark implications simmering underneath. The film’s universe is fun and alluring, pitch-black and mysterious. Everything has an erotic undertone. It’s rarely uninteresting to watch, and the themes relating to female sexuality–especially as it contrasts with that of the males in this story–are worthy of extensive discussion.
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