Archive | August, 2016

Mr. Robot “eps2.5_h4ndshake.sme” Review (2×07)

17 Aug

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“Where do you think you are right now?”

Here’s the thing about reveals: it retroactively makes you wonder about the logic of past storylines, and it becomes a problem if it’s viewed as some magical restart button that can be employed every so often. I’m going to give the show the benefit of the doubt here and try to be optimistic about the second half of the season, but the first half seems like the result of pretension catching up to Esmail a bit. Sure, I’m enjoying the season so far–and last week’s episode was a wonderful piece of entertainment in and of itself–but Malek can only do so much with a storyline that sometimes seems lost. Mind you, pretension is not inherently bad, but it can weaken and needlessly convolute this show.

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Suicide Squad Review

14 Aug

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This crap is what results when you vomit a sludge of ideas onto the screen in lieu of trying to figure out what fits where. This is what happens when your set sounds like a worse place to work at than a sweatshop. This is what you get when the society you live in demands a new superhero movie every week, quality be damned. This is incompetent filmmaking, plain and simple, and it’s clear that the man who helmed the terrific End of Watch has plunged off a cliff to his fiery directing demise.

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Mr. Robot “eps2.4_m4ster-s1ave.aes” Review (2×06)

10 Aug

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“I’m never going to leave you.”

First of all, I have to commend USA for letting Sam Esmail do whatever the hell he wants. Devoting the first ~20 minutes of a television episode to a sitcom version of a dark psychological drama is already outlandish enough, but add onto that the ’90s commercials and you have a wonderfully trippy experience. It’s a strange, enjoyable, and unsettling opening sequence, and it’s an example of just how fun this show can get. Sure, some might argue that it overstays its welcome a bit, but it’s so ridiculous that I’m willing to go with it for however long it might take.

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Mr. Robot “eps2.3_logic-b0mb.hc” Review (2×05)

4 Aug

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“You’ve surrounded yourself with the constant reminder of mortality.”

Last week, a gorgeous montage set to Green Day’s “Basket Case” concluded with Elliot telling us that he wanted to fight for the world depicted, i.e. a world filled with people he cares about and spends time with. It’s a fantasy world, but it’s driven by meaningful connection and devoid of the cynicism that reigns supreme in real life. It’s something that seems so far away and so unrealistic, but it’s definitely worth fighting for.

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