Thoughts on the 2016 Emmy Nominations

14 Jul

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This is a great group of nominations. Let’s dig in.

THE GOOD

The Americans finally gets nominated, several years too late. Keri Russell and Matthew Rhys have both been giving incredible performances for four years now, and it brings me a lot of joy to see them listed. One minor quibble: “Persona Non Grata” was a good episode, but there were much better candidates for “Best Writing” than that.

-Rami Malek and Mr. Robot getting nominated. I’m surprised not to see Slater here, though.

-TATIANA MASLANY, once again several years too late.

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Mr. Robot “eps2.0_unm4sk-pt1.tc; eps2.0_unm4sk-pt2.tc” Review (2×01/2×02)

14 Jul

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“I am in control.”

The idea of control dominates the two-part premiere of Mr. Robot‘s second season. We can obviously see that idea play out in the show’s exploration of Elliot’s psyche, his journal scribbles and constant narration providing us a firsthand look at his struggle to maintain control. He’s trying to combat that major revelation about Mr. Robot by throwing himself into a routine, and as a result, we see him watching pickup basketball games, eating with Leon, and keeping a journal. He tells us that he’s trying to maintain some sanity until Mr. Robot is gone, but we all know that the problem is festering right there inside of him, talking to him and trying to convince him to change. He’s trying to escape from himself, something that doesn’t sound like the easiest thing in the world to do. Perhaps we can say that he’s in an “infinite loop of insanity”.

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The Night Of “The Beach” Review (1×01)

10 Jul

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“Don’t you do what everyone else tells you to do?”

In a lean 80 minutes, the series premiere of The Night Of pulls you into a world that reflects our own, utilizing a central murder case to shine a light on the system that runs our lives. It doesn’t seem like a particularly groundbreaking piece of work, but it’s clear that the creative team understands how to take a classic concept and make it more engrossing than ever before. The production values are impeccable, the acting is compelling, and the story is the type to inspire a bunch of scene-analyzing and clue-searching. By the end of “The Beach”, the rest of the miniseries is pretty much begging to be binged.

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Swiss Army Man Review

3 Jul

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Let’s get this out of the way first: the film industry overall is better when films like this are made, when distributors like A24 take a chance on something as original as this and do their best to bring it to the general public. It’s such a strangely brilliant concept for a story, and the fact that we all have a chance to go support this in a theater right now is refreshing. Sure, this and The Neon Demon probably have a combined theater life of approximately 3 weeks, but it’s nice knowing that options are at least out there. I will gladly support these smaller films as everyone else is trudging into Independence Day: Resurgence or whatnot, even if what I’m supporting is as mediocre as some of the other summer fare.

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The Shallows Review

1 Jul

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I suppose I’ll start with what’s already been so astutely observed by pretty much every review I’ve read: 1) Blake Lively is in a bikini, and 2) There is a seagull in this movie that should be in the running for best supporting actor. Aside from that, this is a solid b-movie survival thriller with a committed central performance and nice visuals, and though it doesn’t break any new ground, it’s not a bad entry to the survival genre. Even in its short running time, it does get a bit repetitive at times, but it’s nevertheless most effective when it focuses on Lively’s character figuring out how to survive. When it attempts to shoehorn in a backstory about a dead mother and uncertainty about medical school, though–as well as some arguable symbolism–it gets tiresome. To put it in a semi-clever way that makes me proud of myself, it reaches for something too deep when it really should just remain in the shallows.

GRADE: B-

Photo credit: The Shallows, Columbia Pictures

The Neon Demon Review

29 Jun

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This is the type of movie that generates strong reactions in the audience, reactions that run the gamut but at least rise above the resounding “meh” that meets most summer films. It’s a meticulously crafted work of art, each scene precise and perfectly calibrated as colors dissolve into each other and create an artificial world of detachment. As Cliff Martinez’s phenomenal score pulsates in the background–scratch that, at the forefront–Natasha Braier’s striking cinematography balances beauty, hollowness, and the grotesque. Anything from mirrors to animals are used as key symbols throughout, and a runway scene during the second half is a brilliant symbolic representation of an essential transformative moment. This is style over substance in a good way; sure, the film’s satirical elements and Refn’s penchant for symbolism aren’t particularly mind-blowing, but the way they’re integrated into the aesthetic experience is fascinating.

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Person of Interest “return 0” Review (5×13)

21 Jun

"Return 0" -- The team must embark on one last suicide mission to prevent Samaritan from destroying The Machine and cementing its hold over mankind, on the series finale of PERSON OF INTEREST, Tuesday, June 21 (10:00 -- 11:00 PM ET/PT) on the CBS Television Network. Pictured L-R: Michael Emerson as Harold Finch, Kevin Chapman as Lionel Fusco, and Jim Caviezel as John Reese Photo: Giovanni Rufino/Warner Bros. Entertainment Inc. ©2016 WBEI. All rights reserved.

“Maybe this isn’t the end at all.”

I started watching Person of Interest about halfway through season one. I don’t remember why I was on the CBS website the day I decided to click on one of those early episodes, but in hindsight, I am just so damn glad I made that choice. I am so glad that the show blew all my expectations out of the water, completely transcending the CBS crime drama mold as it evolved into something complex, original, and enthralling. I am so glad that a science fiction show like this is getting to finish on its own terms, going out on top after five incredible years and leaving its fans with something to remember. I don’t think “return 0” is a perfect series-ender, but it’s still an emotionally satisfying conclusion that brings the series’s big themes full circle. For the final time, let’s dig in.

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One Million Views. Thank you.

15 Jun

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Several days ago, this site hit one million views, a number I never thought would be possible unless I photoshopped a few extra zeros onto the view count. When I decided to start this blog in August of 2013, I was pleasantly surprised from the outset by how rapidly it grew. The fact that my articles have been viewed one million times (even if 999,999 were probably from me) is truly incredible, and I’d like to thank all of you for reading and commenting. Even all you accidental clickers out there still played a role.

This summer, I plan on continuing to go strong. I intend to cover a bit more television than I’ve been able to over the last few months–perhaps returning to old shows–and I will still be watching a ton of movies. There’s a lot of good stuff out there this summer. Once again, thanks.

Photo credit: polarbearsinternational.org

Person of Interest “.exe” Review (5×12)

14 Jun

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“Your Machine can serve a greater purpose.”

So, it comes to this: two gods facing off, each embodying a different perspective on the world as security, power, and legacy collide in the center. What really is the “greater good”? What should an AI’s purpose be? Is this all progress and evolution, or is it dangerous proliferation? “.exe” is centered around questions like these, exploring the conflict between Greer and Finch as it tackles some of the most fascinating questions currently posed on television. It’s a great penultimate episode overall, and it effectively sets the pieces up for what should be a fantastic series-ender (sob) next week.

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Person of Interest “Synecdoche” Review (5×11)

7 Jun

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“Synecdoche” certainly isn’t one of the season’s strongest, but it’s a fairly enjoyable hour that brings back some old faces: Harper Rose, Joey Durban, and Logan Pierce. It’s nice to see that the Machine Team has not only saved lives, but has also influenced people to do good and carry on the cause. What they’ve accomplished over the years means something to the people they’ve helped, and we see the evidence front and center with this newly assembled Machine Team. As The Machine tells Harold at the beginning of the episode, “it must be comforting fixing something, creating order amidst chaos.” This is kind of what these people are doing, and it’s fun to watch.

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