“Always the one with a conscience.”
Although oftentimes, its themes have been shrouded by questionable writing and lazy contrivances, The Killing has always been about family, about the fraying and strengthening of relationships in the face of loss, of grief. It all began with the Larsen family members and the toll Rosie’s loss and the subsequent investigation took on them, and it ends with a look at St. George’s Military Academy and, for one last time, Sarah Linden and Stephen Holder.
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