The first 70 minutes of this movie are excellent. The sound design is impeccable. Stephen Lang’s physical performance is incredibly menacing. The concept is used cleverly, especially during a beautifully shot basement sequence in which the tables are turned on our young robbers. The icing on the cake: a tracking shot early in the movie that lays out where everything is in the house and gives us a sense of the space that’s available. We know, for the most part, exactly what these characters are getting themselves into, and that makes what follows even more effective.
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