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Show Me a Hero “Parts 5 & 6” Review

30 Aug


“You can’t confuse votes with love.”

Over the first four episodes of the miniseries, Mayor Nick Wasicsko’s storyline has been the main interest-grabber, the anchor in a show populated by its fair share of scattered plots. In these final two episodes, things switch up a bit, the previously disjointed residents’ storylines coming together beautifully as Nick fades into the background. And it’s not that there’s less time devoted to the former mayor; it’s just that Yonkers is moving on from him, fading “the face of this ugly mess” out. He without a doubt did some good in this city, but it ultimately ends up being the cruel beast of politics that pushes him downward.

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Show Me a Hero “Parts 3 & 4” Review

23 Aug


“People just want a home, right? It’s the same for everybody.”

As Wasicsko makes clear during part 3, politics is about popularity. You’re trying to get as many people to like you as possible, but you’re also playing a game that’s every man for himself, that’s “personal” when all is said and done. “For the first time in my life, I feel like I am on the right side of something,” he tells Nay as they stand in front of a house he wants to buy. “And I am alone.” He goes a Nixon-esque route and tries to appeal to a “silent majority”, but it’s the “loud minority”–evidently the majority in this election–that ends up pushing him out of office in the end. And guess what? Progress still moves at a glacially slow pace. For all of Spallone’s talk, his inability to back up that talk is causing unrest among the Yonkers residents. This is a city whose politicians and inhabitants are both driven by fear, and that fear is clouding their desires to change or compromise.

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Show Me a Hero “Parts 1 & 2” Review

16 Aug


“I’m just tired.”

The topic is certainly not what you’d think of as “conventional television”, but the show’s underlying themes are still very much playing out in today’s society. This is a miniseries rooted in our nation’s history, a slow burn exploration of the broken political systems running our cities into the ground. It’s a meditation on fear and greed and class and corruption, and although these first two hours are weakened by the initially disparate natures of many of the storylines, they will inevitably come together to (hopefully) deliver something challenging, moving, and necessary.

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