Doesn’t quite sustain its high energy, rapid-fire delivery throughout, but the quick-moving parts contribute to a very enjoyable story. The script is witty, the voice performances are stellar–especially Cera–and the self-referential humor actually means something with regards to the central character. Compare the humor and the social commentary to that of the movie’s predecessor all you want, but this one still deserves a lot of credit for engaging with and understanding its main character. This is an analysis of the Caped Crusader filtered through history, comedy, and a simple but resonant thematic base about ego and loneliness. At the same time, it’s also an infectious kaleidoscope of color that recognizes the fun of its premise: a bunch of legos running around fighting each other.
A Patient Report on “A CURE FOR WELLNESS”
Quick Background: Patient was presumed to live a relatively healthy lifestyle, with normal vital signs related to cinematography, score, and production design. Patient exhibited effective atmosphere building. Patient cast Jason Isaacs. However, also directed by Mr. Gore Verbinski. Mr. Verbinski’s films have grossed 3.72 billion worldwide, therefore allowing him to make both the “highest grossing directors” list and the “overpaid directors” list.
Honorable Mentions: Jessica Chastain (Miss Sloane), Amy Adams (Arrival/Nocturnal Animals), Emma Stone (La La Land), Jena Malone (The Neon Demon), Ralph Fiennes (A Bigger Splash), Annette Bening (20th Century Women), Stephen Lang (Don’t Breathe), Adam Driver (Paterson), Viola Davis (Fences), Colin Farrell and Rachel Weisz (The Lobster), Gillian Jacobs (Don’t Think Twice), Kate Beckinsale and Tom Bennett (Love and Friendship), Peter Simonischek and Sandra Huller (Toni Erdmann), Sonia Braga (Aquarius), Kim Min-Hee and Kim Tae-Ri (The Handmaiden), Natalie Portman (Jackie), Angourie Rice (The Nice Guys)
Words cannot describe how difficult it was to honorable mention Jessica Chastain and Amy Adams, two of my favorite actresses. And then the long overdue Annette Bening, Ralph Fiennes, and Viola Davis? And then an Emma Stone career best? A tough task, these year end lists.
I like it when films commit to a particular style or premise rather than trying to be an amalgamation of half-baked ideas. Films like Green Room
or Don’t Breathe worked (for the most part) because they dispensed with extensive exposition in favor of letting the scenarios drive the stories. I’m not necessarily saying I always want minimal character development and thematic depth–nor am I implying that certain filmmakers can’t juggle multiple elements extremely well–but if your focuses as a filmmaker aren’t those things, then that’s 100% fine with me. However, if I get the sense that a film is trying to explore them, then part of my evaluation will include the level to which it succeeds. So, while Split deserves credit for going below the surface to unpack the effects of trauma on individuals, it also deserves some criticism for its reliance on thinly drawn characters, flashbacks, and parallels in order to make its point. Shyamalan might’ve been better served going all out on the horror element or the thriller element or the character element. Pick one.
*Note: This is not a true top 100 because I tried to limit each artist/band to, at the very most, 3 songs. There is no rhyme or reason as to why some get 2, some get 1, and a select few get 3. Variety was my ultimate goal here.
100. Lucius – “Almost Makes Me Wish For Rain” – Was trying to decide between this and “Black Beatles” for the #100 spot, but “Black Beatles” lost because Rae Sremmurd is a stupid name. Just spell it in the right direction.
99. Julia Jacklin – “Pool Party”
98. YG – “Still Brazy”
97. PUP – “DVP”
96. Lydia Loveless – “Same To You”
95. Hiss Golden Messenger – “Heart Like A Levee”
This is Conventional Oscar Storytelling 101, a nicely packaged inspirational story that doesn’t take many risks because it has no intention of doing so. There’s your usual irritatingly on-the-nose dialogue, your usual character stereotypes, your usual hokey scenes complete with a gradually swelling score as the walls of prejudice crumble. It’s all very nice and well made, but it has the makings of an extremely bland movie. Thankfully, Hidden Figures manages to still take that formula and turn it into something worth watching.