Midway through 10 Cloverfield Lane, John Goodman’s Howard starts dancing along to music blaring from a jukebox, breaking the tension just enough to entertain you but not enough to take you out of the moment; in fact, it further envelops you in its grasp. Every humorous moment in this movie works in a similar manner, drawing on comedy to reveal even more sinister layers underneath. Throughout, the writers and actors have a rock solid handle on these shifts in tone, mood, character, and genre, and what results are genuinely unnerving and unexpected moments that add beautifully to the overall experience. Plot twists weave in and out of motivations and backstories with remarkably few hiccups, and the writers–featuring new Tension Master Damien Chazelle–demonstrate a knack for building a very specific atmosphere.
The X-Files “My Struggle II” Review (10×06)
22 FebThe problem with the revival series is that it takes what would normally be covered over ~22 episodes and attempts to condense it to 6. There’s just no way six episodes of television can deliver some solid monsters of the week, tackle a huge new conspiracy, delve into character drama, and introduce new characters for a possible season 11. Chris Carter certainly tried, but he’s failed in many aspects. Here’s what I would’ve preferred: six episodes devoted to the mythology, or six monster-of-the-week episodes showcasing different genres and styles.
The X-Files “Babylon” Review (10×05)
15 FebThis will be short, as I don’t really have much to say about this episode and/or why it exists. Penned by Chris Carter, “Babylon” is as tonally scattered as any episode of television can be, and it proves that Carter has no business attempting to tackle concepts as complicated as terrorism or religion (Islam in particular). The opening sequence is well done, tense, and chilling, but every single scene that follows can be summed up with the image of a guy jokingly smashing cymbals as somber music plays in the background. It’s all over the place.
Vinyl “Pilot” Review (1×01)
14 Feb“You can’t always get what you want.”
Richie Finestra’s story is one we’ve seen before. In this age of antiheroes, the stories about people like Don Draper and Tony Soprano–and their worlds–have already hit many of the beats Vinyl does: the conflict between personal and professional, the intersection between class, race, and sex, the malaise that arises over time, et cetera. However, the pilot still manages to feel fresh and intriguing, utilizing Scorsese’s kinetic filmmaking to deliver a mini-movie in and of itself. Like the scenes the show depicts, the episode pulsates with energy throughout, musical interludes seemingly dropping every few minutes as music and television are fused.
My Top 20 Films of 2015
9 FebHaven’t Seen: The Lobster, Knight of Cups, Legend, Crimson Peak, Grandma, I’ll See You In My Dreams, Trumbo, Heaven Knows What, James White, Taxi, Arabian Nights, Spy, Breathe, Experimenter, The Forbidden Room, Heart of a Dog, Mustang, The Walk, The Assassin, Chi-raq, Victoria, Li’l Quinquin, Blackhat, Hard to Be a God, Magic Mike XXL, Mr. Holmes, Amy, Bone Tomahawk, Dope, Girlhood, Shaun the Sheep Movie, Youth
HONORABLE MENTIONS: What We Do In the Shadows (this would likely be #21), 45 Years, Creed, Son of Saul, Brooklyn, Bridge of Spies, Beasts of No Nation, The Look of Silence, Diary of a Teenage Girl, Star Wars: The Force Awakens, Timbuktu, Queen of Earth, While We’re Young, Clouds of Sils Maria, Suffragette, Furious 7, Trainwreck, Mission Impossible: Rogue Nation, Black Mass, 99 Homes, Spectre, The Good Dinosaur, Straight Outta Compton, Kingsman: The Secret Service, Truth, Macbeth, The Martian, Love and Mercy, Joy, Mistress America, The Duke of Burgundy, Slow West
The X-Files “Home Again” Review (10×04)
8 Feb“I don’t care about the big questions anymore, Mulder.”
I’m of two minds about this episode: I feel like each storyline is compelling on its own, but there are some clear problems that arise when they occupy the same hour. I understand the time constraints with a 6-episode miniseries, but fully committing to the emotional William story or to the monster of the week would serve “Home Again” well. “Founder’s Mutation” pulled off a dual role nicely, but this week’s episode is clunky at times.
Hail, Caesar! Review
3 FebA big focus of a Hail, Caesar! synopsis might be the kidnapping of George Clooney’s Baird Whitlock, a movie star taken and held for ransom by a group known as The Future. However, as much as that might seem like a central storyline, it’s really just a jumping off point for the Coens. It’s important, but a typical kidnapping plot is not what they’re going for here. Primarily, they’re exploring the intersections between faith, ideology, politics, and the movie industry as they dive into the old, studio-driven days of Hollywood, and they convey these ideas through scenes of films being filmed in this very film. From a hilarious interaction between Ralph Fiennes’s Laurence Laurentz and Alden Ehrenreich’s Hobie Doyle to a wildly entertaining Channing Tatum the Tap Dancer musical sequence, Hail, Caesar! spends quite a bit of time jumping from movie set to movie set. Roger Deakins does a great job with the artificial nature of it all, the scenes on the sets coming out crisp and vivid and the wide shots outdoors establishing Hollywood as a larger-than-life world.










