After months of speculation, AMC announced today that Bob Odenkirk will reprise his role in a spinoff of Breaking Bad, and that said spinoff will be airing on AMC. The series will involve Saul Goodman doing Saul Goodman-y things, like telling young, unsuspecting idiots to not drink and drive, but call him if they do. The series will be one hour, and will presumably consist of 20 minutes of “Better Call Saul” ads, 20 minutes of “Better Call Saul” ads, and 20 minutes of “Better Call Saul” ads.
Vince Gilligan will be involved in the creative process, and the series will most likely air sometime next year. That gives us enough time to finish screaming at the top of our lungs in reaction to Breaking Bad, and will give our families and friends enough time to look at us strangely, then move out of the country. By the time we have digested the series finale and have gone through withdrawal from the show, most of us will probably be a melted puddle of human, almost as if Walt himself dissolved us in a vat of acid.
Those of us that survive will be able to see Saul’s origins, as the series will trace his route from sleazy lawyer to sleazy lawyer of Heisenberg. Hank and Marie will probably guest star so Hank can throw in a “Jesus Christ, Marie!”, and Jesus Christ will probably descend from the skies in the form of Huell. Walt Jr. will also spend the whole series gaping idiotically at Saul.
Credit to AMC and Breaking Bad for all pictures. I own nothing.
Walter White has given up. We’ve seen the cracks in his facade, most noticeably last week, with his flustered demeanor around Skyler and Walt Jr. However, this episode marks the true downfall of the cold, calculating Heisenberg. Or is it?
In a way, it is. Even though he once again finds luck on his side, it’s all due to a rag-tag group of Nazi lovers that are nothing like the foes he deems worthy to oppose. If he ends up having to face off with them for his life, it’d be a final middle finger from everyone to Heisenberg. It would be strangely fitting that he’d fall to the hands of real criminals.
Nevertheless, the episode is a perfect encapsulation of the road Walt’s been heading down. Cranston does tremendous work with Walt’s facial expressions, conveying both a sense of finality and of relief. His rage is transformed into something quieter as he realizes that he’s trapped. He’s betrayed by the sight of Jesse stepping out of that vehicle. He’s underestimated Hank, Jesse, and Gomez, and he just can’t take it anymore.
Now, this is much like Jesse, who has used up every ounce of effort to take down his former boss. He allows himself a small smile as Walt is arrested, yet he’s also astonished at how everything has turned out. How can a nobody like Jesse Pinkman outsmart a criminal mastermind like Walter White? How can Jesse be Walt’s greatest weakness? Those are understandable questions, but the answers have been telegraphed since the start of the season. The first eight episodes were all about Walt’s victory lap, but recently, he’s started to outsmart himself. As he races through the desert (in an expertly directed scene by MacLaren), he’s so overcome with rage that he starts screaming at Jesse. Everything is crashing down around him as he speaks, and he reverts back to his “family” excuse; he tries to hold family and his cancer over Jesse’s head, but he’s too angry to see that it won’t work. Much like his excursion to Brock’s house, Walt still believes in the fact that others care for him. The thing is, everyone else has already figured out his tricks.
That doesn’t mean they’ll be successful, though. The final shoot out is telegraphed throughout the episode, and when Hank picks up that phone to call Marie, we know something’s going to happen. His smugness level is off the charts. He’s waving to Walt, professing his love for Marie, and is smiling gleefully. It’s the mark of a man that can just taste that sweet, sweet success. He is so in the moment that he doesn’t stop to think about his career. This revelation will ruin his life, but he’s won, so he pushes that off to the side.
Then, everything explodes. The smash cut to black prevents us from seeing what has transpired, but we know that nothing will ever be the same.
Grade: A
Other thoughts:
-Walt Jr’s delight at seeing Saul is absolutely priceless.
-“Don’t drink and drive, but if you do, call me!”
-It’s ironic how Walt reverting back to his old ways is actually what helps him get away. He agrees to one more cook, and that earns him the services of the Nazis.
-The cold open is hilarious. We can clearly see that it’s not blue, but Todd trying to say it is is a thing of beauty. Speaking of, the way Todd shoots all nonchalant during the shootout scene is a funny shot amidst an intense atmosphere. He may seem like a light-hearted character, but in reality, he’s terrifying. He has absolutely no morals, and he’s essentially a machine.
-I forgot to breathe during that last segment.
-Brock knows! If I was him, I’d make sure those Fruit Loops weren’t laced with ricin.
-It’s been wonderful to watch the work of Michelle MacLaren. She will continue doing amazing things with the camera.
-“Remember, where we used to have cookouts as a family?” Hank has turned the tables.
-Oh, Huell. You’re awesome.
Credit to AMC and Breaking Bad for all pictures. I own nothing.
Polar Bears Watch TV 