Very little about this movie is particularly original or interesting, and there’s a clear formula that Paul Greengrass breezes through here: Bourne walks away at an above average speed, the CIA picks him up in the crowd, someone catches up to him, they fight while the camera has a seizure, and Bourne gets away and is free to direct his stoic gaze upon the next scene. Add onto that a half-hearted attempt to insert a topical plot about surveillance, and you get a Bourne installment lacking the fresh, kinetic efficiency of the original trilogy (trilogy means three, people, so why the hell are we on number five?).
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