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Spectre Review

6 Nov

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Spectre has everything going for it: a talented cast, a great cinematographer, the same team that wrote and produced Skyfall. It also has a promising opening sequence, an extremely entertaining Day of the Dead chase scene that ends with helicopter fisticuffs and Sam Smith sobbing his way through the theme song. Once we get down to the story, though, we realize that there is none. For a movie about the ghosts of James Bond’s past, there is remarkably little emotional connection to the audience or between the characters. There are certainly characters and callbacks and people doing things like running and shooting, but we are given no reason to care. This is an opportunity to tie Craig’s movies together, to provide a satisfying ending to his run* as James Bond. What it is instead is a mix of weakly written motivations, a Daniel Craig who has had enough of this shit, and a subplot about surveillance and security that would be more interesting coming from a textbook. In fact, the writers attempt to tie so much from the last few movies together that it all just comes across as frustratingly contrived.

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