“There are no sides.”
The Bridge deals not only with the lines separating El Paso and Juarez, but also with the lines separating one emotional state from another, one side from another, one idea from another. When it delves into the nitty gritty, it reveals the moral ambiguity inherent in the situation, the internal conflicts ever present in the minds of people attempting to play sides. It’s not a black-and-white world. There are shades of gray, and people are caught.
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