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The Nice Guys Review

21 May

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“Are you a bad person?”

This question hangs over the film amidst all the smog of LA, the literally toxic environment raising the question of whether any decency exists in this world. Porn, parties, cars, and conspiracies seem to rule the city, and anyone who tries to accomplish something good will probably be met with opposition. Enter Jackson Healy and Holland March, two guys who never cease to be fun to watch, two guys who may or may not be bad people, but are capable of doing good things. They vacillate between vaguely knowing what to do and having no clue what to do, and there’s a lot of joy to be found in seeing them slip and slide their way toward a messy conclusion. Gosling’s manic physical comedy and Crowe’s tough exterior-softer interior mesh perfectly with each other in this buddy cop set-up, and throwing Angourie Rice’s Holly into the mix is a surefire way to increase not only the laughs, but also the heart. Rice finds a way to transcend the precocious kid trope and create a fully formed character, and her moral compass is a beating heart in this polluted city. She’s just as much a lead as the “nice guys”.

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Money Monster Review

14 May

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If there’s one thing Money Monster taught me, it’s that the creative team knows how to make a movie. I don’t mean that in the “they sure know how to craft an amazing work of art!” kind of way; I mean that in a more “they are competent at the process and this is a movie that they just made” manner. The whole thing is just kind of…fine, I guess? It’s a thriller-satire-mystery mash-up that tries to navigate too much in its brisk running time, but it features solid performances and is effective enough at managing tension and delivering its message.

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Last Days in the Desert Review

13 May

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I’m not a huge fan of deserts because they suck, but Emmanuel Lubezki sure can make them look good. The land we see is beautiful in its simplicity, the crags and the never-ending sand serving as the perfect backdrop for Jesus taking an extended walk. Once again, it’s all natural light used here, the sweeping panoramas and intimate close-ups giving us a good sense of both the personal aspect of the story and the insignificance of it to the desert itself. Plus, there’s one shot near the end that is just so damn gorgeous in its use of flames set against a purple-ish sky. To sum up, it’s not shocking that Lubezki’s top notch work is the main highlight of the film.

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Captain America: Civil War Review

6 May

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Let me preface this by saying that superhero movies usually aren’t my thing. I used to look forward to them and still find some to be extremely well done–Iron Man 3 is way underrated–but I just cannot muster up any excitement anymore for this bloated assembly line of a franchise. The thing is, at least Marvel’s got the formula down pat; DC’s assembly line right now probably consists of a bunch of shitty workers standing around some plastic table praying to their Lord and Savior Zack Snyder. Anyway, I’ve nevertheless grown tired of that (albeit efficient) Marvel formula, especially after enduring the terrible Age of Ultron and really feeling like my life was slowly slipping away with each passing scene. Then came a formula-breaking attempt in Deadpool, a movie that ended up just expediting the disintegration of my life by tearing my soul out of my body and smashing it to pieces with a sledgehammer. Then came Civil War, and I thought it’d just be a huge, overstuffed mess that was more of the same. Well, I might’ve been wrong on that last one.

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High-Rise Review

2 May

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High-Rise has the ingredients needed to be a bad movie: off-putting characters, a frequently incoherent plot, and a style that is oftentimes prioritized over substance. And yet, there’s something alluring about the film and its rampant debauchery, its high-rise setting a kaleidoscope of sex, violence, and pretentious shits wearing wigs. It’s controlled chaos, but it also feels at times like Ben Wheatley and Amy Jump Mad-Libbed the entire thing (and they had a book to go off of!). Roast dog? Check. Horses? Check. Lobotomy requests? Check. Margaret Thatcher? Why the hell not?

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Sing Street Review

24 Apr

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“This is your life / you can go anywhere / you gotta grab the wheel and own it, you gotta put the pedal down / and drive it like you stole it” goes the chorus of Sing Street‘s main tune, its infectiously catchy beat providing doses of pure energy to a Back to the Future-inspired prom fantasy sequence. It’s a fitting anthem for the film overall, one that looks to music as a way to escape, as a way to look forward and take control of your life. Everyone in the film is dealing with his or her own personal issues, struggling in some way or another but still finding time to unite through music. “It’s about being happy being sad,” Lucy Boynton’s Raphina says midway through, summing up life and love and the film as a whole.

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Green Room Review

15 Apr

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This was probably the most intense theater experience I have ever had. Green Room is bloody, gruesome, and legitimately shocking, and I do not use those words merely as casual adjectives that help move my review along. They fit 100% and then some, inspiring visceral reactions in the audience that very few films do. When characters walk into the frame with blood-stained machetes or other sharp objects of various length, there’s a thrill that arises that’s anything but empty. Saulnier understands the power of violence and the impact that it can have, and you get the sense that he respects it and the people who are subject to it. Even though the characters aren’t the most fully formed characters in the world, they are most certainly not one note. Everyone, whether canine or human, operates with some notion of flexibility, their reactions to certain situations varying in ways that feel natural. Every act of violence in front of you feels very, very real.

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Hardcore Henry Review

7 Apr

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This is pretty much a 90 minute video game, the only difference being that at least some video games have competent storytelling capabilities. Hardcore Henry wants you to believe that it has some depth, its nonstop barrage of action occasionally broken up by Flashback Tim Roth saying “pussy” and references to a half-baked storyline about bioengineering soldiers. Story and characters obviously aren’t the focuses in a movie like this, but without anything compelling to keep me watching, then what’s the point?

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Demolition Review

6 Apr

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Demolition is good enough for most of its runtime, its somewhat flimsy narrative bolstered by yet another great Jake Gyllenhaal performance. As an investment banker whose wife dies in a car crash, Gyllenhaal convincingly navigates the character’s post-accident life, his face a blank slate at one point and a cathartic frenzy at another, his dynamic with Judah Lewis’s Chris enjoyable enough to keep things watchable. Watts is solid, but she plays such a strangely conceived character that I’m not sure why Karen Moreno exists or what to think about her. Nevertheless, there are some interesting ideas in this movie about ennui, adulthood, and grief, and the movie builds up the illusion at first that it wants to explore those ideas in a slightly unconventional manner.

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Everybody Wants Some!! Review

31 Mar

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Everybody Wants Some!! is a free-flowing, testosterone-fueled display of college life. Booze is consumed, girls are admired, and country/punk/disco music is blasted as the last few days of summer wind down, and the guys on the baseball team are enjoying every second they have left before they have to sleep their way through classes again. Originally conceived of as covering the entire freshman year, the film narrows its scope to several days, yet still manages to encapsulate what feels like an entire college experience.

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