Archive | Film RSS feed for this section

The Night Before Review

19 Nov

TheNightBeforeTrailer

The Night Before is being released in theaters about a month before Christmas, presumably to avoid polluting the holidays with its insipid humor and its irritating characters. The movie is half people partying and half Seth Rogen drunkenly stumbling his way through New York City, and what results is something I probably wouldn’t enjoy even if I were on drugs. Jonathan Levine attempts to inject some heart, some heartfelt lessons about enjoying yourself and then eventually having to grow up. He manages to find a balance between the touching and funny, utilizing his cast well as he tells a story that captures…I’m sorry, I went off on a tangent about 50/50 with this sentence.

Continue reading

Spotlight Review

10 Nov

spotlight

The shuffle of papers drives Spotlight. Notes are furiously scribbled on pads, documents are constantly pored over, and the full, horrifying extent of the central story is revealed in the newspapers. It’s an important story that doesn’t feel important (something Truth unfortunately succumbed to). It may not be the most exciting set-up in the world, but when you have such a stellar cast and the director of masterpieces like The Cobbler behind the movie, it’s bound to be good.

Continue reading

Spectre Review

6 Nov

1$_V?_Job Name

Spectre has everything going for it: a talented cast, a great cinematographer, the same team that wrote and produced Skyfall. It also has a promising opening sequence, an extremely entertaining Day of the Dead chase scene that ends with helicopter fisticuffs and Sam Smith sobbing his way through the theme song. Once we get down to the story, though, we realize that there is none. For a movie about the ghosts of James Bond’s past, there is remarkably little emotional connection to the audience or between the characters. There are certainly characters and callbacks and people doing things like running and shooting, but we are given no reason to care. This is an opportunity to tie Craig’s movies together, to provide a satisfying ending to his run* as James Bond. What it is instead is a mix of weakly written motivations, a Daniel Craig who has had enough of this shit, and a subplot about surveillance and security that would be more interesting coming from a textbook. In fact, the writers attempt to tie so much from the last few movies together that it all just comes across as frustratingly contrived.

Continue reading

99 Homes Review

27 Oct

99-homes-poster

99 Homes is a scathing thriller that kicks off with an intensity unmatched by the rest of the film. The early eviction of Dennis Nash (Andrew Garfield, in a role that is thankfully not Spiderman) is brilliantly done, the frustration, embarrassment, and eventual acceptance of the situation captured perfectly by Garfield and Laura Dern; on the other side, Michael Shannon establishes himself as a force to be reckoned with right off the bat, and his character–Rick Carver–is the most fun to watch throughout. As for director Ramin Bahrani, he keeps the camera moving, doubling down on certain beats in order to hit us hard with the story. “How would you act in this situation?” he asks.

Continue reading

Room Review

19 Oct

room-brie-larson-poster

Note: This review deals with minor spoilers revealed during the trailer (regarding the structure of the film). If you’ve watched the trailer or know the story, feel free to read. If you want to go in completely cold, don’t read ahead.

Their world is Room. Ma and Jack live their lives in this windowless prison, pushing through the difficult nights with their captor and passing time with each other during the days. Light shines through a skylight above, a constant reminder that the world doesn’t end with this claustrophobic space, that there’s so much to be learned and explored outside the confines of Room, of innocence, of childhood. This is a movie about the emotional trauma of imprisonment, but it’s also a fascinating look at what it means to grow up and to be a parent.

Continue reading

Truth Review

17 Oct

Truth-Movie-2015-Poster

“We’re the gold standard,” Cate Blanchett’s Mary Mapes insists midway through Truth, a detail-oriented look at the 60 Minutes Killian documents controversy in 2004. It’s nowhere near as polished or compelling as James Vanderbilt’s script for Zodiac–then again, not much is–but it’s driven by some solid performances and an interesting real-life story. Cate Blanchett in particular is a fiery presence here, her character having to deal with the mounting pressure from all sides as she watches her story crumble. Even when the material isn’t quite so strong, Blanchett has a good handle on what’s needed for her character.

Continue reading

Bridge of Spies Review

16 Oct

NEfPP9aY64f6ig_2_a

The opening to Bridge of Spies consists of the film’s most riveting scenes. Largely wordless and scoreless, they introduce us to Soviet spy Rudolf Abel as he goes about his secret nickel-opening, coded message-receiving ways. He’s immediately an intriguing presence, Mark Rylance utilizing a bit of restraint in his great performance in order to subtly unearth layers. Rylance and Hanks–playing attorney James Donovan–are the one-two punch of the movie, their characters creating the central dynamic upon which Spielberg builds the story. Abel and Donovan are on two sides of the same coin, and the way we look at the two of them can be expanded to how we look at the Soviet Union and the United States or at the Cold War era and present day. There are connections galore.

Continue reading

Steve Jobs Review

12 Oct

Screen Shot 2015-10-12 at 9.40.25 PM

The first act of Steve Jobs is an extremely entertaining half hour, with rapid-fire dialogue throwing us straight into the backstage flurry prior to Jobs’s 1984 Macintosh launch. It’s a great way to set up the movie’s tone and characters and conflicts, and its extremely kinetic nature brings Aaron Sorkin and Danny Boyle crashing together from the outset. Unlike with Fincher, however, the director takes a backseat to the writer here, and all of Sorkin’s precious babies–walking and talking, explaining, lack of time for breathing during dialogue–are at the forefront. That’s not a bad thing for the first act, however, which is definitely the tightest and most propulsive of the three. There’s a ton of energy here, and the movie’s setup and backstage settings are reminiscent of Birdman (whether that’s a good or bad thing is your call).

Continue reading

The Martian Review

30 Sep

The-Martian-Movie-Poster

The Martian is mainly concerned with being entertaining, with using humor to combat the desperation that might accompany an extended stay on a paradise like Mars. There’s a lightheartedness that pervades the entire movie, and although that does weaken some of the bigger emotional moments, it’s still a fun change of tone after intense films like Gravity and Interstellar (both of which are superior, by the way). This is a celebration of human intelligence, of cooperation and a can-do attitude. What’s refreshing about it is that it’s not dominated by contrived suspense sequences that are the results of infuriatingly dumb character decisions. These people know what they’re doing, perhaps even too well. Mark Watney in particular makes surviving on Mars look like a stroll through the park, but then again, that’s part of the charm of the movie.

Continue reading

Black Mass Review

25 Sep

Black-Mass-Movie-Poster-4K-Wallpapers

Black Mass features an outstanding cast and intriguing historical context, but it’s all wrapped up in a by-the-numbers plod through various events in Whitey Bulger’s life. It has its moments, but this is one instance in which too much focus on the facts harms the rest of the movie. It’s like Scott Cooper looked at a timeline and found everything worth acknowledging, but nothing worth delving into. The running time is too short for the amount he tries to cover, and it’s about right for the method he should’ve taken: really diving into one period of Bulger’s life, into one particular aspect of his story.

Continue reading