The Night Before is being released in theaters about a month before Christmas, presumably to avoid polluting the holidays with its insipid humor and its irritating characters. The movie is half people partying and half Seth Rogen drunkenly stumbling his way through New York City, and what results is something I probably wouldn’t enjoy even if I were on drugs. Jonathan Levine attempts to inject some heart, some heartfelt lessons about enjoying yourself and then eventually having to grow up. He manages to find a balance between the touching and funny, utilizing his cast well as he tells a story that captures…I’m sorry, I went off on a tangent about 50/50 with this sentence.
Room Review
19 OctNote: This review deals with minor spoilers revealed during the trailer (regarding the structure of the film). If you’ve watched the trailer or know the story, feel free to read. If you want to go in completely cold, don’t read ahead.
Their world is Room. Ma and Jack live their lives in this windowless prison, pushing through the difficult nights with their captor and passing time with each other during the days. Light shines through a skylight above, a constant reminder that the world doesn’t end with this claustrophobic space, that there’s so much to be learned and explored outside the confines of Room, of innocence, of childhood. This is a movie about the emotional trauma of imprisonment, but it’s also a fascinating look at what it means to grow up and to be a parent.
Bridge of Spies Review
16 OctThe opening to Bridge of Spies consists of the film’s most riveting scenes. Largely wordless and scoreless, they introduce us to Soviet spy Rudolf Abel as he goes about his secret nickel-opening, coded message-receiving ways. He’s immediately an intriguing presence, Mark Rylance utilizing a bit of restraint in his great performance in order to subtly unearth layers. Rylance and Hanks–playing attorney James Donovan–are the one-two punch of the movie, their characters creating the central dynamic upon which Spielberg builds the story. Abel and Donovan are on two sides of the same coin, and the way we look at the two of them can be expanded to how we look at the Soviet Union and the United States or at the Cold War era and present day. There are connections galore.
The Martian Review
30 SepThe Martian is mainly concerned with being entertaining, with using humor to combat the desperation that might accompany an extended stay on a paradise like Mars. There’s a lightheartedness that pervades the entire movie, and although that does weaken some of the bigger emotional moments, it’s still a fun change of tone after intense films like Gravity and Interstellar (both of which are superior, by the way). This is a celebration of human intelligence, of cooperation and a can-do attitude. What’s refreshing about it is that it’s not dominated by contrived suspense sequences that are the results of infuriatingly dumb character decisions. These people know what they’re doing, perhaps even too well. Mark Watney in particular makes surviving on Mars look like a stroll through the park, but then again, that’s part of the charm of the movie.
Black Mass Review
25 SepBlack Mass features an outstanding cast and intriguing historical context, but it’s all wrapped up in a by-the-numbers plod through various events in Whitey Bulger’s life. It has its moments, but this is one instance in which too much focus on the facts harms the rest of the movie. It’s like Scott Cooper looked at a timeline and found everything worth acknowledging, but nothing worth delving into. The running time is too short for the amount he tries to cover, and it’s about right for the method he should’ve taken: really diving into one period of Bulger’s life, into one particular aspect of his story.










