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Masters of Sex “Parliament of Owls” Review (3×01)

12 Jul


“We ARE the Sexual Revolution.”

As the third season of Masters of Sex begins, we arrive at a critical point in the Masters/Johnson journey. Their new book, Human Sexual Response, has just been released, and they’re facing a wave of scrutiny as their work reaches the masses. And it’s not only the turning point from private to public in terms of their work; their private lives at home are shifting as their kids grow up and attempt to figure out the world. These parallels aren’t exactly subtle in nature–especially once their kids start exploring their own sexuality—but they’re still interesting comparisons to delve into for the show.

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Masters of Sex “Parallax” Review (2×01)

14 Jul


“Work…it’s where I belong.”

A script is a means by which we can find some semblance of structure, of stability, of requirements and guidelines, and we oftentimes will retreat behind what we perceive to be a life script, something that takes into consideration the values of society, mixes it up with our comfort zones, and dictates what we should do and what we should feel. Because of this, the identities that arise and the problems resulting from the identities we display to the world are simply false fronts.

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Masters of Sex “Manhigh” Review (1×12)

16 Dec

ab287127c84743dac3b8ec0e0c30d86dSome very quick thoughts coming up….

-I couldn’t go to bed without talking about this show and how wonderful the debut season has been. It’s crafted some brilliant characters and is home to some of the best acting and writing on television. Thank you, Michelle Ashford and co.

-On Bill Masters: One of the fundamental aspects of his character is his desire to separate emotions from life, but that doesn’t mean he’s heartless; why would he need to separate those emotions if he didn’t have them in the first place? Anyway, I think this episode does a nice job of tearing down the success that Masters thought he could obtain and showing us the consequences of the bad aspects of his character. Everything’s been stripped away after that presentation, and he heads to the only two places/people he knows: his office and Virginia. For him, Virginia is the only person who can truly understand him and what he cares about, and they fill each others’ needs for acceptance more so than do “perfect” spouses like Ethan and Libby (Libby really is perfect, though); yet, this mutual trust can only develop in the situations they’re in at that moment. So, the final scene, albeit a little cheesy, ultimately works because it’s such a huge step for Masters; in addition, it doesn’t skimp on the importance of Virginia having a choice.

-Oh man, is that Scully storyline–give Beau Bridges and Allison Janney some awards–heartbreaking or what? in fact, it’s a contrast to Bill-Virginia; Barton and Margaret may deeply care about each other, but then they attempt to remedy their lack of passion through awful “treatments” and such. Instead of separating sex and emotion, they see them as essentially the same thing. They have the perfect marriage on paper, but not in real life.

-It’s great to see Bill take the fall for Scully like that; Scully’s someone he truly respects, and I’m not surprised he does this.

-Hey, Lester and Jane kiss.

-Lillian’s slowly grown into one of the best, most complex characters on the show. At the start, there was a mutual grudging respect between her and Virginia, but their bond strengthened over the weeks; it’s now a deep friendship. For Virginia, Lillian represents both opportunity and the lack of opportunity, and she’s a big part of Gini’s evolution.

-“I can spot a statistically average masturbator from a mile away.”

And with that, I bid you farewell until next season, Masters of Sex. I’m looking forward to it.



Photo credit: Showtime, Masters of Sex

Masters of Sex “Pilot” Review (1×01)

30 Sep

627There’s something infectious about the new Showtime drama. It draws us into its rich world of complex characters and its sexual intrigue. It’s not devoid of humor. It establishes a compelling tone that challenges us, excites us, questions us. It is, far and away, the best new show of the season.

Let’s face it, though. Sex runs rampant throughout television, and in most cases, it’s gratuitous. Masters doesn’t, and shouldn’t, shy away from sex, but not once does it feel like the show is portraying it in a gratuitous nature. It’s an inherent and essential aspect of this layered world the show has created, and it’s portrayed in a very matter-of-fact way. It’s dangerous, yet it’s not. It’s fun, yet it’s not. It’s necessary, yet it’s not. It just is, and that’s a refreshing take on the topic.

The show’s heart is kept beating by Michael Sheen and Lizzy Caplan, two fantastic actors whose characters are on opposite ends of the spectrum; Masters (Sheen) comes off as cold and distant, while Johnson (Caplan) is warm and likeable. Yet, this is what keeps it interesting; a battle for supremacy seems to be arising, but there’s also a mutual respect and attraction that may go beyond the science of sex. Masters is a scientist, but he’s also a human being. His desires for control seem to permeate both his professional and his sexual life, and his final request in the pilot paves the way for some intriguing storylines.

The supporting cast is weaker, but that’s usually what happens to shows right off the bat. Betty (Annaleigh Ashford) is the first volunteer for Masters’ revolutionary study of sex, Libby (Caitlin FitzGerald) is Masters’ wife, and Ethan (Nicholas D’Agosto) is one of Virginia’s flings. I do have a few problems with these characters. The intricacies of Masters’ home life are a bit muddled, and while I expect that to improve later on, the whole subplot about his wife doesn’t quite make me care. Ethan comes across as a complete jerk, and while I guess that’s kind of the point, his final scene with Virginia doesn’t work for me thematically. Their sexual relationship is a good way to explore Johnson’s character, but Ethan calling her a whore comes across as dickish, not enlightening.

Masters of Sex

Still, Caplan and Sheen anchor the cast, and they’re good enough to keep this show compelling. One thing that’s fantastic about the show is that it doesn’t take itself too seriously. It’s not Ray Donovan or Low Winter Sun. It has adult storylines and poses complex questions about our sexual and mental states, but there’s a general playfulness there that’s been missing in the new cable dramas. It’s funny! Shows like Breaking Bad and Mad Men know when to get serious and when to get hilarious, and that is what I want to see on television. Masters is not an anti-hero. The show does not try too hard. We do not get thrown into a pit of despair. That, in itself, makes Masters a fantastic show.


Other thoughts:

-So, Lizzy Caplan is gorgeous.

-The directing of the pilot is magnificent. Those overhead shots during….okay, I’ll stop about Lizzy Caplan now.

-The scene with the dildo and the head of the university is fantastic. It’s just the right amount of awkward and weird. Caplan holding it enthusiastically in front of his face is a sight to see.

-“Best seat in the house.” “But not too close, or you’ll get poked in the eye.” “You’re saying watch out for the dildo.”

-The sex scenes are pretty nice, though. That last one between Langham (Teddy Sears) and Jane (Helene Yorke) is something.

-“What does the woman you’re sleeping with want? The riddle of life itself can’t come close to the unfathomable mystery of that question.”

-“Some can accommodate big better than others.” Ain’t that the truth, Caplan.

-“I wouldn’t get too in your head about it.” “Too late.” “Your other head.” Line of the night.

Credit to Showtime and Masters of Sex for all pictures. I own nothing.

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