Saturday Night Live “Martin Freeman/Charli XCX” Live Blog and Review (40×09)

13 Dec

SNL Host Martin Freeman (Screengrab)

CHARLIE ROSE: This is definitely a pretty clever twist on the CIA torture reports, and by the time the two clinical psychologists are going on about self checkout lines, one man shows, and auto correct, I’m pretty into it. Not the most polished sketch, but one that delivers some solid ideas. GRADE: B

MONOLOGUE: Martin Freeman–The Hobbit and Fargo star (meh to both, to be honest)–comes out and jokes about all British celebrities being friends, and we get some entertaining Maggie Smith and Alan Rickman impressions along with it. Freeman brings a pretty nice energy to the proceedings, so hopefully it’ll be a good show. GRADE: B-

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Sons of Anarchy “Papa’s Goods” Review (7×13)

10 Dec

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Over the course of seven years with SAMCRO, Jax Teller has attempted to go legitimate, to get out of the game started by J.T. and exacerbated by people like Clay Morrow. There have been glimmers of hope, instances in which he believed he could do it, but in the end, he realizes that it’s not possible. “I’m not a good man,” he says, telling us what’s been on his mind for a while now as he watches his kids leave for the last time. In the end, he realizes that in order for his remaining family to have any semblance of hope for a future, that future must not include him.

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Foxcatcher Review

8 Dec

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“How much does he want?”

“You can’t buy Dave.”

Upon hearing these words, John du Pont stares into the distance with a confused look on his face, unsure of what exactly he just heard. At the moment, he’s attempting to get Mark Schultz’s brother–Dave–to join them at Foxcatcher Farms, to get Dave to contribute to a possible gold medal at the 1988 Seoul Olympics. He eventually does, but this scene strikes at the foundation of John du Pont: the undercurrent of entitlement masquerading as patriotism and mentorship, the fact that du Pont’s treasure trove of wealth has led him to believe that he can buy and collect whatever he pleases.

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Homeland “13 Hours in Islamabad” Review (4×10)

8 Dec

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“There comes a point where you’re no longer responsible.”

“I’m not there yet.”

This season of Homeland has seemed intent on exploring the ramifications of spy work, the consequences that can result from drone strikes and failed diplomacy and a rapidly increasing death toll. The effects we’ve seen have been mainly psychological, but in “13 Hours in Islamabad”, Haissam Haqqani and his men bring the physical pain by shooting up a building that’s all about diplomatic relations, taking and killing hostages, and obtaining a list of assets to murder. The CIA usually carries out its missions in secret, behind closed doors, but now, Haqqani is forcing his way in.

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The Affair “8” Review (1×08)

7 Dec

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“Pure love cannot sustain in an imperfect world.”

This causes us to wonder: is there really “pure love” between Noah Solloway and Alison Lockhart, or is it merely an escape for them, an escape from the problems and people in their lives? Or, is Noah referring to the fact that their respective relationships eventually had to crumble because, well, that’s how the world is? What’s important here is that there is no clear cut interpretation, just as there is no clear cut story about the affair or about the murder in general. Reality, after all, is not always objective.

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Saturday Night Live “James Franco/Nicki Minaj” Live Blog and Review (40×08)

6 Dec

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POLITICS NATION WITH AL SHARPTON: This is a sketch in which Kenan Thompson is simply infectiously funny, from his mispronunciations to his picture with the cop to his quick interview with Jay Pharoah’s lawyer character. I really like the joke about all recordings having to be in HD and horizontal for a “more cinematic feel”. GRADE: B+

MONOLOGUE: That’s a pretty short monologue, but pictures of Rogen and Franco in embarrassing situations is only something that can last for a bit. I do enjoy the picture of Rogen teaching Franco how to read, and at the end, Franco even addresses all that Instagram controversy. GRADE: B-

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Veronica Mars “Lord of the Bling”/ “Mars vs. Mars” Review (1×13/1×14)

6 Dec

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Episode 13: “Lord of the Bling”

Whether it’s with Bone Hamilton or Aaron Echolls or even, to an extent, flashback Veronica, image plays a huge role in how they treat others and how they make their decisions. And, when they’re preoccupied with maintaining their street cred or their Hollywood status or their 09er-dom, others will inevitably be hurt. Bone (aka Antown Mitchell from The Shield), ends up pushing away both his son Bryce and his daughter Yolanda, and he ultimately isn’t able to settle things with either; his notions of masculinity and his feud with the Blooms are both tied to his image, and his son and daughter end up as the victims.

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Sons of Anarchy “Red Rose” Review (7×12)

2 Dec

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“I love you, Jackson, from the deepest, purest part of my heart. You have to do this. It’s who we are, sweetheart.”

Throughout the first six seasons of the show, the word that kept popping up around Jax Teller was “legitimacy”. He wanted to move the club in the right direction, distance himself from John and Clay, and raise a family after he got out of the gun business. As we head into the final episode of the series, that has all changed; he seems to be on a suicide mission of sorts, an eerie calmness pervading his every fiber as he digs himself deeper and deeper into a hole of no return. Any plans to go legitimate were crushed under the weight of Tara’s death, and the fallout–the lies and betrayal and skewed notions of justice–seal the deal. Jax Teller has fallen hard.

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The Walking Dead “Coda” Review (5×08)

30 Nov

 

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“This is who you are until the end.”

One of the major themes this show tries to explore is the notion of change. In a post-apocalyptic environment, does survival simply fall into a dull, monotonous routine, or can this world cultivate new behaviors, new attitudes, new relationships? We explore this idea during the conversations between Beth and Dawn in the hospital, and through these ideas, we then take a look at transformation and desires for control hidden under the guise of moral righteousness. These are interesting ideas, no doubt, but the writers don’t have a solid grasp on them or on the characters involved, and “Coda” ultimately stumbles to the finish line as a fairly average midseason finale.

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The Babadook Review

29 Nov

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The Babadook is an original, frightening, and profoundly sad look at a woman’s psyche, at the effects of trauma, at the relationship between a mother and a son. It doesn’t shy away from certain staples of the horror genre; rather, it utilizes them in unique ways, taking cliches and structuring them around character instead of around plot or style. As a result, this is 90 minutes of engrossing psychological horror, a (scary) breath of fresh air in what is presently a very stale genre.

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