Archive | October, 2014

Boardwalk Empire “Friendless Child” Review (5×07)

19 Oct

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“Dumber than I knew.”

Tony Soprano. Vic Mackey. Walter White. We’ve had our fair share of main characters with empires, characters brought down and crushed under the weights of their own powers, but what those characters don’t seem to have in common with Nucky Thompson is an opportunity to recover some semblance of morality. Yes, Nucky’s lost everything and the future belongs to people like Lansky and Luciano, but there’s a small ounce of redemption to be found here, a true confrontation of the past and all the terrible things he did.

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Battlestar Galactica Season 3, Episodes 1-4 Review (New Caprica)

18 Oct

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EPISODES COVERED: “Occupation”, “Precipice”, “Exodus Part 1″, Exodus Part 2”

“The dignity and the integrity of the human race rides with us. Good hunting.”

The Cylons occupy New Caprica. What was once a beacon of hope for so many has become a war zone, a deadly situation in which humans and Cylons live next to each other, but don’t necessarily live with each other. There are a vast number of conflicting viewpoints here, and they eventually clash and escalate the conflict beyond the realm of control; here, we have the Cylons attempting to create a peace between their kind and humankind, but they just don’t realize how difficult a task on that magnitude would be to accomplish.

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Battlestar Galactica: Razor + “The Resistance” Webisodes Review

17 Oct

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Razor

I’ve already touched on many of the thematic ideas circling Razor, considering it simply shows us the Pegasus backstory that was told in “Pegasus” through “Resurrection Ship”, but there are a few key bits of information presented here that we didn’t know beforehand. It’s all done through the character of Kendra Shaw, a bridge between the story we’ve seen and the story we’re seeing, and we observe how she essentially becomes Cain’s legacy and how that influences her mindset in the present. The kind of stories the writers are crafting probably need more time to breath–as did the Pegasus arc, as thrilling as it was–but all in all, it’s well done for a 90 minute movie.

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Arrow “Sara” Review (3×02)

16 Oct

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“I don’t want to die down here.”

“Sara” is an exploration of grief, of the various ways our characters cope with the loss of someone they cared deeply about. It’s also a turning point in the series, a transition period for characters like Laurel and Felicity and Oliver in response to Sara’s death. Death often reminds us of our own mortality, and here, that certainly is the case; death also reminds them of their seeming lack of identity, of the fact that they’ve spent all this time in a high-tech basement, that they’ve done good in the world, but that they’ve done so while they’ve been closed off emotionally from life in general.

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Person of Interest “Brotherhood” Review (4×04)

15 Oct

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“There’s just one rule: we all die in the end.”

The unrelenting cycle of violence and crime seems to be a common topic among television shows these days, with The Bridge exploring that idea in terms of the U.S.-Mexico border and with Boardwalk Empire doing so in a historical, gangster world context. Person of Interest is tackling the issue in present-day New York, in a steadily evolving world that gets more restrictive as time progresses.

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The Walking Dead “No Sanctuary” Review (5×01)

13 Oct

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“You’re either the butcher or the cattle.”

The Walking Dead has always been about survival, in one way or another. Most of its thematic explorations have been around the idea of who you become in a post apocalyptic world, what you do to survive, what your mindset is regarding your life in relation to others. In our culture, cannibalism is seen as the lowest form of human life, as savage, but it also becomes a lingering question when you must do anything possible to survive.

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Boardwalk Empire “Devil You Know” Review (5×06)

13 Oct

boardwalk-empire-devil-you-know“Ain’t nobody ever gonna be free.”

In this environment of violence and corruption and death, power and allegiances may shift, but one thing remains constant: the environment, one that is restricting and cruel, unrelenting and indifferent to the plights of its inhabitants. All empires eventually crumble, and what’s left is the need for survival; what’s left is the question of whether you can make peace with the inevitability of your mortality.

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The Affair “1” Review (1×01-Pilot)

12 Oct

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If everyone is an unreliable narrator of his or her own life, then are there really reliable accounts of anything when you bring human nature in, when you factor in different perspectives and psychological issues and even memory? Even a recording–even the cameras used to film this show–may not display the full picture, and that’s an idea that is ever so pervasive throughout this pilot.

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Homeland “Shalwar Kameez” Review (4×03)

12 Oct

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“Whatever you decide, I’m truly sorry for what happened to you, and I wish you luck.”

In the type of environment Carrie and Quinn and Saul and the rest live in, the concept of choice becomes muddled, and your own agency oftentimes becomes secondary to what’s happening around you. Moving forward, Aayan must decide whether or not to tell his story in exchange for a ticket out of Pakistan, but either way, he’s still doing something that’s the result of him simply being thrown into a situation unwillingly. He wanted no part of this, he’s afraid, and ironically, the fact that he’s an aspiring doctor is used to trick him, to get him into a room with Carrie, to get him to hear an offer that would allow him to live out those aspirations elsewhere.

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Saturday Night Live “Bill Hader/Hozier” Live Blog and Review (40×03)

11 Oct

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KIM JONG-UN COLD OPEN: Bobby Moynihan’s physical comedy makes this sketch much funnier than it should be, but at the end of it all–thankfully, only three minutes–it’s still pretty awful. There are no jokes here, and this seems like something the writers came up with in about 15 seconds. GRADE: D+

MONOLOGUE: Oh hi, Kristen Wiig. I never expected you to show up. Never. Anyway, the monologue is just perfectly average, with some pretty bland singing, a cameo by Harvey Fierstein, and a few middling jokes. GRADE: C+

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